disOrienting Stage and Film
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disOrienting Stage and Film, founded by Cynthia Granville, presents work for the stage and for the camera, work that seeks to leave its audience seeing the world slightly differently than when they came.

View "Dreams Deferred," a documentary, made for The Work Office, recording the artistic dreams of the NYC arts community here.

View Cynthia's short film, a segment from The Making of Paradise East, here.  Shot on my Canon XH-A1 and edited on my imac.
 
Spring/summer 2009: Casting and talent payment services, line producer: PARADISE EAST, SAG feature film, directed by Nick Taylor

Continuing on-camera coaching privately, and through Faces of Tomorrow Management in TriBeCa.  email for info.  Audition taping and uploading, see an example here.

Pre-production: MILITARY FUNERAL (working title), writer/director/editor
THE ELEVATOR FILM (working title), adapted from the play, writer/director/editor

Fall 2009: directing Nancy Dean's HETTY PEPPER'S STEW for Manhattan Repertory's Gay and Lesbian Festival.  casting, producing.  Nov. 18, 19, 20 at 9pm, 303 W 42, NYC. 

Latest on-camera work is always here.

Services provided through disOrienting Stage and Film include directing, casting, and acting teaching/coaching.  disOrienting Stage and Film also provides production services for outside projects including grantwriting and marketing. 

Click on these links to learn more about some of Cynthia's past projects:
THE CAPITALIST, SAG feature film, additional casting
NEW ORLEANS (co-produced by DisOrienting Stage and Film), New York City, also director/casting
GENEVA, for Hudson Exploited Theater Company, New Jersey, director/casting
THROUGH NOVEMBER MOONLIGHT (also producer, for Blueberry Pond Theatre Ensemble), director/casting
MOMOIRS, CT, director/dramaturg
CADILLAC at the Bendheim Performing Arts Center in Scarsdale, Feb.  director/casting, production services including grantwriting.  CADILLAC is the darkly comic story of a Westchester family rocked by the marriage of their elder son. You will recognize these two families as they square off over their kids, the siblings, the wedding reception, the family business, the in-laws, the bris....  If Michael and Liz survive the wedding, will their families survive the aftermath? 


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